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	<title>Robin Nolan&#039;s Play Gypsy Jazz Guitar Now &#187; Lessons</title>
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	<link>http://gypsyjazzblog.com</link>
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		<title>Scofield/Stern Style Fusion Lick!</title>
		<link>http://gypsyjazzblog.com/scofield-stern-style-fusion-lick/</link>
		<comments>http://gypsyjazzblog.com/scofield-stern-style-fusion-lick/#comments</comments>
		<pubDate>Thu, 13 May 2010 07:34:46 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Lessons]]></category>

		<guid isPermaLink="false">http://gypsyjazzblog.com/?p=451</guid>
		<description><![CDATA[
 Some of my favorite guitarists ever are Jazz fusion players like John Scofield and Mike Stern and the lick I show you here is inspired by their way of playing. It&#8217;s my own lick but reeks of Jazz fusion. 
 I think it&#8217;s healthy to bring licks and ideas from other genres into Gypsy Jazz and [...]]]></description>
			<content:encoded><![CDATA[<p style="text-align: center;"><a href="http://robin-blog.s3.amazonaws.com/Robin-Nolan-Scofield-Stern-Style-Fusion-Lick.flv"></a></p>
<p><span style="font-family: Tahoma; color: #444444; font-size: medium;"> Some of my favorite guitarists ever are Jazz fusion players like John Scofield and Mike Stern and the lick I show you here is inspired by their way of playing. It&#8217;s my own lick but reeks of Jazz fusion. </span></p>
<p><span style="font-family: Tahoma; color: #444444; font-size: medium;"> I think it&#8217;s healthy to bring licks and ideas from other genres into Gypsy Jazz and this is an example of just that. </span></p>
<p><span style="font-family: Tahoma; color: #444444; font-size: medium;">You can use this over a minor tonality and it will sound great. It&#8217;s very guitaristic and involves some hammer ons and pull offs but you can see clearly what&#8217;s going on when I play it real slow note by note. I also talk about the tension created when playing a major 3rd (in this case a B natural) over a minor chord. This is something I do a lot and it can kind of sounds awful but if you pull the right face and it rocks! </span></p>
<p><span style="font-family: Tahoma; color: #444444; font-size: medium;"> Check it out and let me know what you think! </span></p>
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		<slash:comments>1</slash:comments>
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		<item>
		<title>Turnaround Endings</title>
		<link>http://gypsyjazzblog.com/turnaround-endings/</link>
		<comments>http://gypsyjazzblog.com/turnaround-endings/#comments</comments>
		<pubDate>Sat, 19 Dec 2009 20:07:03 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Lessons]]></category>

		<guid isPermaLink="false">http://gypsyjazzblog.com/?p=371</guid>
		<description><![CDATA[
In this video I demonstrate the classic Jazz device of ending a song with a turnaround. In this instance I use the Django tune &#8216;Djangology&#8217; to show you how it works.
Quite simply after you play the last II-V (Am7 -D7), instead of resolving to the home key of G, you move up 2 frets and [...]]]></description>
			<content:encoded><![CDATA[<p style="text-align: center;"><a href="http://robin-blog.s3.amazonaws.com/Robin-Nolan-Use-Turnaround-Ending.flv"></a></p>
<p><span style="font-family: Tahoma; color: #444444; font-size: medium;">In this video I demonstrate the classic Jazz device of ending a song with a turnaround. In this instance I use the Django tune &#8216;Djangology&#8217; to show you how it works.</span></p>
<p><span style="font-family: Tahoma; color: #444444; font-size: medium;">Quite simply after you play the last II-V (Am7 -D7), instead of resolving to the home key of G, you move up 2 frets and play Bm7-E7 then back to Am7-D7 continuing this for as long as you want. This is the &#8216;turnaround&#8217; and gives the soloist a platform on which to get things really going. I also demonstrate it in C and it&#8217;s good to practice in all keys so as to give you the option of using this device in any song.</span></p>
<p><span style="font-family: Tahoma; color: #444444; font-size: medium;">Sound good? Let me know how it goes and leave a comment below. Cheers.</span></p>
]]></content:encoded>
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		<slash:comments>13</slash:comments>
		</item>
		<item>
		<title>Minor Swing Using Open Chords</title>
		<link>http://gypsyjazzblog.com/minor-swing-using-open-chords/</link>
		<comments>http://gypsyjazzblog.com/minor-swing-using-open-chords/#comments</comments>
		<pubDate>Mon, 30 Nov 2009 03:06:05 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Lessons]]></category>

		<guid isPermaLink="false">http://gypsyjazzblog.com/?p=366</guid>
		<description><![CDATA[
Here&#8217;s a different way of playing the changes to Django&#8217;s classic &#8216;Minor Swing&#8217; using mostly open chords down the bottom of the neck. It sounds slightly more traditional Gypsy.
In the clip I show you these chords and play a couple of chorus&#8217;s of Minor Swing changes so you get the idea. It&#8217;s just an alternate [...]]]></description>
			<content:encoded><![CDATA[<p style="text-align: center;"><a href="http://robin-blog.s3.amazonaws.com/Robin-Nolan-Minor-Swing-Open-Chords.flv"></a></p>
<p><span style="font-family: Tahoma; color: #444444; font-size: medium;">Here&#8217;s a different way of playing the changes to Django&#8217;s classic &#8216;Minor Swing&#8217; using mostly open chords down the bottom of the neck. It sounds slightly more traditional Gypsy.</span></p>
<p><span style="font-family: Tahoma; color: #444444; font-size: medium;">In the clip I show you these chords and play a couple of chorus&#8217;s of Minor Swing changes so you get the idea. It&#8217;s just an alternate way to accompany a soloist without playing the usual &#8216;Pompe&#8217; rhythm and mixes it up a little.</span></p>
<p><span style="font-family: Tahoma; color: #444444; font-size: medium;">Let me know what that works out for you by posting a comment below. Cheers.</span></p>
]]></content:encoded>
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		<slash:comments>20</slash:comments>
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		<item>
		<title>Multi-Use Chord</title>
		<link>http://gypsyjazzblog.com/multi-use-chord/</link>
		<comments>http://gypsyjazzblog.com/multi-use-chord/#comments</comments>
		<pubDate>Sun, 29 Nov 2009 05:55:48 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Lessons]]></category>

		<guid isPermaLink="false">http://gypsyjazzblog.com/?p=363</guid>
		<description><![CDATA[
 In this lesson I&#8217;ll demonstrate how one chord shape acts as three different types of chord making it one REALLY useful shape to know.
I show you how what we might first think of as a minor 7-5 (1/2 diminished) type chord can, in the Gypsy Jazz style, also act as a dominant 7th and [...]]]></description>
			<content:encoded><![CDATA[<p style="text-align: center;"><a href="http://robin-blog.s3.amazonaws.com/Robin-Nolan-Multi-Use-Chord.flv"></a></p>
<p><span style="font-family: Tahoma; color: #444444; font-size: medium;"> In this lesson I&#8217;ll demonstrate how one chord shape acts as three different types of chord making it one REALLY useful shape to know.</span></p>
<p><span style="font-family: Tahoma; color: #444444; font-size: medium;">I show you how what we might first think of as a minor 7-5 (1/2 diminished) type chord can, in the Gypsy Jazz style, also act as a dominant 7th and a Minor 6th. Therefore by learning this one shape you have learnt three chord types.</span></p>
<p><span style="font-family: Tahoma; color: #444444; font-size: medium;">All the Gypsy Jazz players use these shapes and this one tip will get you a long way quickly!</span></p>
]]></content:encoded>
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		<slash:comments>17</slash:comments>
		</item>
		<item>
		<title>Cool Country-Style Lick</title>
		<link>http://gypsyjazzblog.com/cool-country-style-lick/</link>
		<comments>http://gypsyjazzblog.com/cool-country-style-lick/#comments</comments>
		<pubDate>Thu, 26 Nov 2009 20:24:39 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Lessons]]></category>

		<guid isPermaLink="false">http://gypsyjazzblog.com/?p=359</guid>
		<description><![CDATA[
 John Jorgenson showed me this lick in L.A. a few years back and sometimes I can&#8217;t stop using it!
It&#8217;s a real country lick and works over any major type chord. The example I&#8217;ve shown you in this clip is in the good old country key of G but I also play it in A [...]]]></description>
			<content:encoded><![CDATA[<p style="text-align: center;"><a href="http://robin-blog.s3.amazonaws.com/Robin-Nolan-Cool-Country-Lick.flv"></a></p>
<p><span style="font-family: Tahoma; color: #444444; font-size: medium;"> John Jorgenson showed me this lick in L.A. a few years back and sometimes I can&#8217;t stop using it!</span></p>
<p><span style="font-family: Tahoma; color: #444444; font-size: medium;">It&#8217;s a real country lick and works over any major type chord. The example I&#8217;ve shown you in this clip is in the good old country key of G but I also play it in A so you get the gist of how to apply it to different tonalities.</span></p>
<p><span style="font-family: Tahoma; color: #444444; font-size: medium;">There&#8217;s a big bend of a whole tone up on the B string while fretting with your pinky a note on the top E string with a release of the bend and moving the pinky down to another note at the same time. It gives the effect of a pedal steel guitar.</span></p>
<p><span style="font-family: Tahoma; color: #444444; font-size: medium;">I play it really slowly and up close to the camera so you can see what&#8217;s going on. It&#8217;s not a Gypsy Jazz lick or even a Jazz lick but what the heck it&#8217;s a country lick and turns heads every time!</span></p>
<p><span style="font-family: Tahoma; color: #444444; font-size: medium;">Leave me a comment or question at the bottom of this page. Cheers. </span></p>
]]></content:encoded>
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		<slash:comments>11</slash:comments>
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		<item>
		<title>&#8220;Big Band&#8221; Style Ending in C</title>
		<link>http://gypsyjazzblog.com/big-band-style-ending-in-c/</link>
		<comments>http://gypsyjazzblog.com/big-band-style-ending-in-c/#comments</comments>
		<pubDate>Fri, 06 Nov 2009 09:24:08 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Lessons]]></category>

		<guid isPermaLink="false">http://gypsyjazzblog.com/?p=337</guid>
		<description><![CDATA[
 Check it out. 
This Big Band style ending in C is a classic, but I learnt it from Bireli Lagrene. It&#8217;s especially useful at a slow to medium tempo and really swings. 
 You chromatically slide the shape up the neck until you reach your home key, adding the little voicing at the end [...]]]></description>
			<content:encoded><![CDATA[<p style="text-align: center;"><a href="http://robin-blog.s3.amazonaws.com/Robin-Nolan-Big-Band-Style-Ending-in-C.flv"></a></p>
<p><span style="font-family: Tahoma; color: #444444; font-size: medium;"> Check it out. </span></p>
<p><span style="font-family: Tahoma; color: #444444; font-size: medium;">This Big Band style ending in C is a classic, but I learnt it from Bireli Lagrene. It&#8217;s especially useful at a slow to medium tempo and really swings. </span></p>
<p><span style="font-family: Tahoma; color: #444444; font-size: medium;"> You chromatically slide the shape up the neck until you reach your home key, adding the little voicing at the end rounding it off very nicely. It&#8217;s classy and will suit any song in a major key (that&#8217;s alot!). Practice it in all keys and it will come in really useful. </span></p>
<p><span style="font-family: Tahoma; color: #444444; font-size: medium;">Let me know how this works for you. Leave me a comment or question on this page. Cheers. </span></p>
]]></content:encoded>
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		<slash:comments>37</slash:comments>
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		<item>
		<title>J&#8217;attendrai Tips and Chordal Ideas</title>
		<link>http://gypsyjazzblog.com/jattendrai-tips-and-chordal-ideas/</link>
		<comments>http://gypsyjazzblog.com/jattendrai-tips-and-chordal-ideas/#comments</comments>
		<pubDate>Mon, 12 Oct 2009 16:10:26 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Lessons]]></category>

		<guid isPermaLink="false">http://gypsyjazzblog.com/?p=147</guid>
		<description><![CDATA[
In this lesson I&#8217;ll show you some cool ways of getting around J&#8217;attendrai using some really nice chordal ideas which can be used when playing a solo, or if you perform the piece unaccompanied. I&#8217;ve used voicings down the bottom of the neck using where possible open voicing.
I cover J&#8217;attendrai in volume 4 of the [...]]]></description>
			<content:encoded><![CDATA[<p style="text-align: center;"><a href="http://001-nolan-nuggets.s3.amazonaws.com/Jattentrai_Chordal_Ideas.flv"></a></p>
<p><span style="font-family: Tahoma; color: #444444; font-size: medium;">In this lesson I&#8217;ll show you some cool ways of getting around J&#8217;attendrai using some really nice chordal ideas which can be used when playing a solo, or if you perform the piece unaccompanied. I&#8217;ve used voicings down the bottom of the neck using where possible open voicing.</span></p>
<p><span style="font-family: Tahoma; color: #444444; font-size: medium;">I cover J&#8217;attendrai in <a title="Gypsy Jazz Songbook volume 4" href="http://www.robinnolanteaches.com/Gypsy-Jazz-Songbook-Volume-4.htm" target="_blank">volume 4</a> of the Gypsy Jazz Songbook series.</span></p>
<p><span style="font-family: Tahoma; color: #444444; font-size: medium;">Let me know what you think by leaving a comment or question below. Cheers.</span></p>
]]></content:encoded>
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		<slash:comments>10</slash:comments>
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